When hotel event planner Rachel breaks up with her boyfriend John for cheating on her, she decides to go looking online for a new boyfriend. In the expanse of cyberspace, she meets a charming, wealthy man named Craig, who at first, seems perfect. He’s attractive, fun, romantic, and he’s been successfully running his mother’s global real estate company while his mother, Doris travels the world. But Craig is far from perfect. He's obsessive and controlling, and once he sets his sights on Rachel, he has no plans of ever letting go...

When hotel event planner Rachel breaks up with her boyfriend John, for cheating on her, she decides to go looking online for a new boyfriend. In the expanse of cyberspace, she meets a charming, wealthy man named Craig, who at first, seems perfect. He's attractive, fun, romantic, and he's been successfully running his mother's global real estate company while his mother, Doris travels the world. But Craig is far from perfect. He's obsessive and controlling, and once he sets his sights on Rachel, he has no plans of ever letting go.

Bryant spends most of his time taking care of his daughter, and working as an exec at an ad agency. But when he comes across the online profile for a woman in Los Angeles, he becomes intrigued. She’s beautiful, fun, quirky, and successful. They strike up a long-distance relationship traveling back and forth for several months before Bryant decides that she is the perfect woman for him. He proposes, she moves across the country, and within two more months, the couple is married. But this union is a far cry from newlywed bliss.

Daphne Trowbridge, an impulsive and obstinate but nonetheless kindhearted young woman, lives with her aunt and uncle on their country estate. Daphne falls in love with Tom Dunstan, but when she learns that Mrs. Trowbridge favors the young man, she deserts him, whereupon he departs for the woods brokenhearted. Because her aunt dislikes Gerald, Daphne accepts his proposal, but on the day of the wedding, she discovers that Mrs. Trowbridge has liked him from the beginning. Furious at her aunt's scheming, Daphne hires the first man she meets, who happens to be a heavily bearded lumberman, to marry her and then leave. Later, however, her hired husband abducts her to his cabin in the woods, where he eventually succeeds in taming her. After he rescues her from two lecherous lumberjacks, Daphne discovers that her husband is Tom, whom she had loved all along.

Khun Ying Ai, a proud noblewoman, is forced into an arranged marriage with the son of a wealthy Chinese businessman after her mother's remarriage and an attempt on her life. While she resents the match due to her deep-rooted prejudice, the older son, Rab, is determined to win her heart. Can love grow from conflict and tradition?

A darkly comic drama about a man left to care for his infant son when his wife is imprisoned for cheating on him with a minor.

Puccini’s musical thriller of lust, murder, and politics is one of the most dramatically riveting operas in the repertoire. Luc Bondy’s production, with sets by Richard Peduzzi and costumes by Academy Award-winning designer Milena Canonero, opened the Met’s 2009–10 season. Karita Mattila stars as the beautiful and dangerously impulsive singer Floria Tosca. Marcelo Álvarez is her lover, the painter Cavaradossi, a political enemy of the powerful chief of police, Scarpia (George Gagnidze), who wants Tosca for himself.

Giuseppe Verdi's opera of religion, revenge and redemption gets the star treatment in this 1993 Metropolitan Opera production conducted by James Levine and starring Plácido Domingo as the cuckolded man of God at the center of the tale. Sharon Sweet sings the role of Domingo's adulteress wife and Vladimir Chernov plays the vengeful father in this rarely staged gem directed by Giancarlo del Monaco and filmed by Brian Large.

In an Opening Night performance for the history books, the great Plácido Domingo sings the title role of Verdi’s Otello for the first time at the Met. This supremely demanding part was to become his signature role, an accomplishment against which other interpreters are still measured to this day. Domingo stars opposite Sherrill Milnes’s conniving Iago and Gilda Cruz-Romo’s touching Desdemona, all brilliantly conducted by Music Director James Levine.

Jon Vickers was one of the most magnetic singing actors of the 20th century and Otello one of his greatest roles. He understood how to combine Shakespeare’s rich characterization and Verdi’s dramatic music to create an overwhelming figure, one whose death left audiences deeply shaken. Vickers is perfectly partnered by James Levine’s conducting and the Met’s sensational orchestra and chorus. Renata Scotto is an appealing Desdemona, Cornell MacNeil is a menacing Iago, and Franco Zeffirelli’s production is deservedly legendary.